P930 Lunar Lander
Overview
A true spatial instrument
P930 Lunar Lander is not just a reverb, and it is not just a delay. It is a spatial instrument designed to deliver classic studio ambience, time-based effects, and modulation within a single, coherent workflow.
Plate reverb, digital reverb, delay, and modulation are combined in a modular architecture that behaves like hardware and adapts naturally to real production needs.
Authentic EMT 140 plate behavior
The plate engine captures the weight, density, and nonlinear response of a real EMT 140. Input level shapes the sound directly. Pushing the input produces brighter, more metallic, and animated responses, while lower levels deliver warmer, smoother decays with reduced ripple in the tail.
Lexicon 224–style digital reverb
Inspired by the character of the 224, the digital reverb delivers rich, dense, and smooth tails. Long decays remain musical and stable, making it easy to place vocals, keys, and buses without grain or collapse as the tail fades.
Flanger, chorus, and phaser that actually convince
Modulation is a core part of Lunar Lander. True flanging ranges, deep chorus movement, and classic phasing are implemented with proper feedback behavior and tone shaping. From subtle width to obvious motion, these effects feel integrated. In many workflows, Lunar Lander can cover roles often handled by separate modulation plugins, with phaser, flanger, and chorus available from a single interface, often one preset away.
Flexible delay architecture
The delay engine supports both free-running and tempo-locked operation, enabling everything from tight rhythmic echoes to true flanger-range modulation.
Modular routing
Reverb, delay, and modulation can be routed in series or in parallel, allowing classic studio chains and more complex spatial structures without leaving the plugin.
Presets for real workflows
Lunar Lander ships with a large, curated preset library covering vocals, drums, guitars, synths, buses, and sound design. The preset manager supports nested folders and Favorites, allowing quick access to preferred presets and efficient library organization.
Features
- Organic feel & behavior.
- BBD analog delay.
- Three plate reverb.
- Series and parallel processing.
- Dry/Wet Mix Control for each module for some cool creative effects.
- Ducking, inverse ducking and gate circuits.
- Works with Mono or Stereo signal.
- Zero latency!
iOS VERSION
(AUv3 and Standalone). Scan the QR Code from your iOS device or click on the download icon.
30-Day Free Demo
Start your fully functional 30-day demo on 2 computers: click the “DEMO” button, complete checkout, and receive your authorization code by email.
Bucket-brigade Device (BBD) analog delay, plate reverb and saturation plugin.
Videos
Audio Examples
Specification
Supported Plugin Formats
AU, VST3, AAX (Apple Silicon ready)
Supported Operating Systems
macOS 10.13+
Windows 10+
Mac
Apple RISC M chip and Intel CPU (Universal 2 Binary)
PC
x64-compatible CPU
System Requirements
Display resolution: 1440 × 900px or 1280 × 960px or higher
Memory: 2 GB RAM
Copy Protection
A one-time challenge & response over the internet. License works on up two separate machines.
Downloads
For previously authorized computers
- The sudden burst issue when switching presets has been resolved.
- Crackling in the HP/LP filters when quickly moving the cutoff frequency has been fixed.
- Preset Management with nested folders.
- Vintage and Modern BBD.
- Large collection of useful presets.
- Updated user guides.
- SHIFT-Mouseover modifier key added on the offset screws to change display from % to ms.
- Updated user guides.
- Freeze track in DAW now fixed.
- Updated user guides in English and Japanese.
- Fixed Oversampling latency reporting to the DAW.
- Artifacts in the Delay & Reverb modules have been removed.
- Updated User Guide.
- Added additional presets.
- Official Release.
I recently participated in the Pulsar Modular contest, which gave me the opportunity to try several of your plugins. I was already impressed by how analog and musical they sound, but one plugin in particular really stood out to me: P930 Lunar Lander.
What I love about Lunar Lander is how much it combines into a single, very intuitive processor. The ability to switch between delay → reverb, reverb → delay, and parallel routing makes it incredibly easy to experiment with different spatial relationships without having to build complicated routing externally.
The built-in P42 Climax saturation, together with the modulation, filtering, ducking and gating possibilities, makes it much more than a conventional delay/reverb. All these elements interact with each other, and I find that the processing integrates remarkably well with the source rather than simply sounding like an effect placed on top of it.
I’ve been using it as an insert on very different sources — acoustic guitar, piano, snare, bass and vocals — and I’m constantly surprised by how naturally it can enhance the character and depth of the source, even with very subtle settings.
For me, that’s what makes Lunar Lander so special. The combination of analog-style sound, internal saturation, flexible routing and dynamic processing makes it feel almost like an entire effects system in one plugin. I honestly haven’t come across another processor that gives me this particular combination of possibilities while remaining so immediate and musical.
It has quickly become one of my favourite Pulsar Modular plugins, and I’m very glad that the contest gave me the opportunity to discover it.
Congratulations on an amazing piece of work, and thank you for creating something so inspiring and unique.
P930 Lunar Lander is simply a joy to use.
What I love about it is how quickly it can make a sound come alive. It adds brightness, movement, space, and a kind of musical sparkle that immediately makes the track feel more inspiring. It is not just a reverb or delay effect to me; it feels more like a creative spice that helps reveal where the production could go.
I have started using it very early in the process, even at the demo stage. Instead of waiting until the mix is almost finished, I insert Lunar Lander when the track is still taking shape, because it helps me imagine the final form of the song. A simple part can suddenly feel more three-dimensional, more emotional, and closer to the world I want the finished track to inhabit.
The sound has a beautiful sense of glow. It can make elements shine without becoming harsh, and it adds atmosphere without making the arrangement feel vague or washed out. That balance is what makes it so enjoyable. It gives me ideas, not just effects.
For me, P930 Lunar Lander is the kind of plugin that makes the production process more fun. It encourages experimentation, adds color and depth, and helps turn a rough demo into something that already hints at the finished record.
It is an inspiring tool, and I can see myself reaching for it whenever I want a track to start glowing.
the new 2.0 presets are outstanding. I’m using p930 Lunar Lander more than ever now!
On my mission to minimalist mixing with plugins, P930 Lunar Lander is my first go-to for plate reverb and analog delay effect. And it’s zero latency!!!
Although and being that I have far to many plugins as it may be… Hey when you can have another amazing model like what this P930 brings you take it and I have had so much creative fun with this Lunar Lander effects plugin!